Senior Orchestra
Conductor
Alex Robinson
Repertoire
- 1. NYIO - Symphony in D Minor - 1st Movement
— Franck - 2. NYIO - Selections from Encanto
— Manuel-Miranda, arr. O'Loughlin - 3. NYIO - Selections from Moana 2
— Barlow/Bear, arr. O'Loughlin - 4. NYIO - Berceuse and Finale from The Firebird
— Stravinsky, arr. Isaac - 5. PERCUSSION SET - DRUMLINE
— - 6. NYO - Symphony No. 5 - Movements I & II
— Shostakovich - 7. INTERVAL
— NYJO in the Bar - 8. NYTO - Born to be Wild
— Mars Bonfire, arr. Michael Sweeney - 9. NYTO - Matchmaker (from 'Fiddler on the Roof')
— Jerry Brock, arr Bob Cerulli - 10. NYTO - The Blue Danube Waltz
— Johann Strauss, arr Richard Meyer - 11. NYTO - Hey Song
— Mark Leander, arr. Paul Lavender - 12. NYTO - Scenes from 'The Marriage of Figaro'
— Mozart, arr. Owen Goldsmith - 13. NYTO - Peer Gynt Suite Selections
— Grieg, arr. Richard Meyer - 14. PERCUSSION SET - DRUMLINE
— - 15. NYO - Symphony No. 5 - Movements III & IV
— Shostakovich
Programme notes
'A Spring Celebration' features the individual performances of our symphony and jazz orchestras. The repertoire list gives you the running order and indicates which orchestra is performing (NYO Nottingham Youth Orchestra, NYIO Intermediate Orchestra, NYTO Training Orchestra, NYJO Jazz Orchestra, Percussion).
1. NYIO - Symphony in D Minor (Franck) - 1st Movement
Written by César Franck, the first movement introduces the main musical ideas that shape the whole symphony. It opens with a dark, dramatic theme before moving into warmer, more lyrical passages. Rich harmonies, expressive string writing, and powerful climaxes give this movement strong emotional depth and set the character for the rest of the work.
2. NYIO - Selections from Encanto
Music from Encanto is known for its infectious songs and emotional storytelling. This suite features popular numbers such as 'We Don’t Talk About Bruno' and 'Surface Pressure', combining Latin rhythms, rich harmonies, and expressive melodies. The arrangement allows the orchestra to recreate the excitement and warmth of the film.
3. NYIO - Selections from Moana 2
Based on music from Moana 2, these selections continue Moana’s journey of adventure and self-discovery. The music blends modern pop style with Pacific-inspired rhythms and melodies. Strong vocal-style themes, energetic percussion, and colourful orchestration bring the spirit of the film to life in a concert setting.
4. NYIO - Berceuse and Finale from 'The Firebird'
In the Berceuse and Finale from The Firebird by Igor Stravinsky, the music moves from calm and mystery to brilliant celebration. The gentle Berceuse features a soft, flowing lullaby melody, creating a peaceful and dreamlike atmosphere after the drama of earlier scenes.
This quiet moment leads directly into the powerful Finale, where the orchestra builds towards a triumphant and joyful conclusion. With glowing harmonies, bold brass writing, and sweeping melodies, Stravinsky creates a thrilling sense of victory and renewal. Together, these two movements showcase the orchestra’s expressive range, from delicate lyricism to full, energetic brilliance.
5. PERCUSSION SET - DRUMLINE
Drums have been used throughout history to add atmosphere and excitement; from the 16th century drumming soldiers into battle, to the present day performing at large sports arenas mainly in the USA.
Most American schools have their own drumline or marching band consisting of snare drums, toms, bass drums and cymbals. An important part of the performance is the visual spectacle as drummers often click each other's sticks or perform tricks with their sticks as they march around the arena. The drums are normally mounted on harnesses but today we will be using our orchestral percussion instruments and staying firmly at the back of the orchestra!
We have a selection of short pieces:
Groove Army and Unleash! by Williams Edwards and Tadpole, Rock You We Will and Sub-Sonic by Cassidy Byars.
6. NYO - Symphony No. 5 (Shostakovich) - Movements I & II
Composed by Dmitri Shostakovich, this symphony was written during a difficult period in the composer’s life. The first movement is dramatic and intense, with powerful brass and driving rhythms, while the second movement is lighter and more sarcastic, using dance-like themes and sharp contrasts. Together, they show Shostakovich’s ability to combine emotion, humour, and strength in a single work.
7. INTERVAL - NYJO in the Bar
This relaxed interval feature presents music in a lighter, more informal style, often inspired by jazz and popular genres. It allows NYJO's musicians to explore different sounds, rhythms, and performance styles while creating a friendly and welcoming atmosphere for the audience.
8. NYTO - Born to be Wild
The heavy metal classic 'Born To Be Wild' was written by Mars Bonfire and first recorded by the group Steppenwolf. Although the lyrics do not actually mention motorbikes the song is often considered to denote the appearance and attitude of bikers since being featured in the film Easy Rider. The song is possibly the first of the “heavy metal” genre and in the second verse refers to “heavy metal thunder”; however this would be a description not of a music style but rather a motorcycle.
9. NYTO - Matchmaker (from 'Fiddler on the Roof')
The legendary 1964 Broadway musical (and film of 1971) Fiddler On The Roof is set in 1905 Russia, centring on a poor Jewish milkman who is trying, in an ever-changing world, to maintain his traditional and cultural standards by marrying off his three eldest daughters by using a marriage broker. The song 'Matchmaker' is sung by one of the girls hoping she will grant a “perfect match”.
10. NYTO - The Blue Danube Waltz
'The Blue Danube Waltz' is not one waltz but five intertwined waltz themes. Here we play two of those themes. In 1866 Strauss was commissioned to write a choral piece for the Vienna Men’s Choral Society, with words by the Society’s poet, Joseph Weil, to uplift the people who were reeling after losing the Austro-Prussian War. The composer adapted it later as a purely orchestral version for the 1867 Paris World’s Fair, where it became a great success and remains one of the most consistently popular pieces in the classical repertoire.
11. NYTO - Hey Song
The glam rock instrumental Rock and Roll (part 2) is a rock hit famous for its distinctive guitar riffs, heavy drums and vocal shout, making it widely known as the The Hey Song.
12. NYTO - Scenes from 'The Marriage of Figaro'
Count Almaviva is determined to seduce Figaro’s fiancé, Susanna, before their wedding. However, the neglected Countess Almaviva, Figaro and Susanna conspire to embarrass the Count. A further complication is that Cherubino, a page boy, is infatuated with the countess. Meanwhile, a former housekeeper demands that Figaro marries her to repay an earlier debt but in a further twist it turns out that she is in fact his mother. After much confusion involving Susanna and the Countess changing clothes, clandestine meetings in the forest, the Count falling in love with his wife again and Cherubino falling in love with the Count’s daughter, we at last see 'The Marriage of Figaro'.
13. NYTO - Peer Gynt Suite Selections
In 1867, the playwright Henrik Ibsen requested that Edvard Grieg write incidental music to accompany his play about the fantastic adventures of a brash young poet, 'Peer Gynt'. Here we will hear two numbers taken from the suites that have arisen from the play; “Morning Mood” which depicts the rising sun over the Moroccan desert, while the well known “In The Hall Of The Mountain King” is played as Peer enters the royal hall filled with trolls, gnomes and goblins surrounding a Mountain King sitting ominously on his throne with crown and sceptre in his hands. This features one of the most famous accelerandos ever written!
14. PERCUSSION SET - DRUMLINE
Drums have been used throughout history to add atmosphere and excitement; from the 16th century drumming soldiers into battle, to the present day performing at large sports arenas mainly in the USA.
Most American schools have their own drumline or marching band consisting of snare drums, toms, bass drums and cymbals. An important part of the performance is the visual spectacle as drummers often click each others sticks or perform other tricks with their sticks as they march around the arena. The drums are normally mounted on harnesses but today we will be using our orchestral percussion instruments and staying firmly at the back of the orchestra!
We have a selection of short pieces:
Groove Army and Unleash! by Williams Edwards and Tadpole, Rock You We Will and Sub-Sonic by Cassidy Byars.
15. NYO - Symphony No. 5 (Shostakovich) - Movements III & IV
The final two movements bring Shostakovich’s Fifth Symphony to a powerful conclusion. The third movement is slow and emotional, featuring expressive string writing and reflective melodies. The fourth movement builds from quiet tension to a dramatic, triumphant ending with blazing brass and full orchestral sound. Together, they create a thrilling and unforgettable finale.
Orchestra
SENIOR ORCHESTRA
Violin 1
Frederick Turner *
Julian Lo
Max Hardy
Louis Zhu
Orla Gilmore
Jas Demir-Wong
Izzie Neave
Mala Coulton
Violin 2
Isaac So
Phoebe Neate
Norah Flavin
Elsie Lau
Evie Cox
Noah Wright
Vincy Chan
Lera Lazarenko
Viola
Matilda Au-Yong
Izzi Kelly
Jonathan Kightley
Jane Benson
Cello
Audrey Cook
Darwin Osborne
Anais Jauzelon
Katharine Zhu
Cedric Lam
Christian Hackett
Jess Dawson
Felix Desbrulais
Lauro Ho
Darren Wong
Double Bass
Will Livingston
Rebecca Stavrinides
Matthew Barks
Harp
Alice Roberts
Flute
Hattie Jamieson
James Golding
Tobey Lai
Cassie Egan
Piccolo
Kitty Haworth
Oboe
Kaylyn Young
Mary Glasby
Clarinet
Eloïse Chita
Amelia Cocker
Isobel McIntyre
Eb Clarinet
Chiara Empringham
Bassoon
Poppy Mattock
Poppy Wheeler
Horn
Hannah Duffy
Letitia Yu
Michael So
Lennon Wong
Trumpet
Louis Millar
Jacob Ingram
Thomas Moran
Esther Mackay
Charlie Tallant
Trombone
Elise Stevens
Ethan Chiang
Tuba
Jess Smith
Percussion
Casper Davies
Paige Kirya
Piano
Margaret Chadwick
Keyboard
Paige Kirya
* Leader
Tutor Thanks
Claire Seedhouse - 1st Violin
Jane Benson - 2nd Violin
Jonathan Kightley - Viola
Clara Pascall - Cello
Matt Barks - Double Bass
Poppy Wheeler - Woodwind
Ian Taylor - Brass
Robert Parker - French Horn
Jay Robinson - Percussion
ACKNOWLEDGEMENTS
Danny Morris Memorial Trust Fund
NYO would like to thank the Danny Morris Memorial Trust Fund for their support.
Donation of Paxman Series 4 French Horn
Families of NYO members may be aware that we have bursaries available which provide financial support towards membership fees, trips and instrumental tuition. What is perhaps less well known is NYO also has a number of musical instruments available on loan, again to support NYO members based on genuine need.
In 2023 NYO was fortunate to receive a brand new Paxman Series 4 French Horn which is an excellent student level instrument donated by the Bob Paxman Young Horn Players Fund and supplied by Paxman Musical Instruments Ltd. This horn is being used by a student at today’s concert alongside a few other instruments which NYO is able to offer on loan to students during their membership of NYO.
Peter Horril Scholarship
We are very grateful to the Horril family for their donation in memory of Peter Horril. Peter was a local schoolmaster and music lover.
Friends of NYO
Prof & Mrs D F Brailsford
Mr & Mrs A Foster
Mr R Hammond
Mr & Mrs Hands
Professor S & Mrs H Hodkinson
Mrs F Keetley
Mrs Emily Kenefeck
Mr & Mrs A MacDiarmid
Mrs Elisabeth Mills
Mr & Mrs R Nicolle
Mr & Mrs A C Powell
Prof & Dr Polnay
Mr & Mrs K Pryer
Mr & Mrs R Skinner
Drs A & M D Smith
Mr H & Mrs E Watkinson
Mrs Witcombe
French Horn Chair - In memory of Don and Betty Adamson
Double Bass Chair - In memory of Corin Long and Pam Thomas

